Overview
Why, the rather staid young cellist Sarah wonders, should her aunt rent their spare room to the perhaps unstable Kari Zilke? Like the nephew in Hermann Hesse’s Steppenwolf, Sarah finds herself taking an unexpected interest in the lodger, but she is unable to stop at providing a mere introduction to Kari’s narrative of mid-life crisis and self-discovery, and develops her own more troubled tale of personal angst and growth, entwined with the account Kari herself purportedly left behind. Generational tensions, artistic collaborations, and even a romance steeped in Greek myth follow as Kari and Sarah pursue their very different creative paths in theater and music. And while Kari seems to blossom post-divorce, Sarah must grapple with the question of what the role of mothers, fathers, aunts, mentors, and male collaborators should be in her life as a young musician.Author Biography
Karla Huebner has lived on a boat and worked in factories, offices, theater, publishing, oil refineries, private investigation, and drug rehab. Her fiction has appeared in many literary and genre magazines and her collection Heartwood was a finalist for the 2020 Raz-Shumaker award. She teaches Art History at Wright State University in Dayton, Ohio and her book Magnetic Woman: Toyen and the Surrealist Erotic is available from University of Pittsburgh Press.