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Blotter
Blotter

Blotter

POETRY

104 Pages, 5.5 x 8.5

Formats: Trade Paper, Mobipocket, EPUB, PDF

Trade Paper, $12.99 (US $12.99) (CA $17.99)

Publication Date: April 2018

ISBN 9781784105303

Rights: US, CA, NZ, CAM, SAM, CAR, PH, KR & FM

Carcanet Press, Ltd. (Apr 2018)
Carcanet Press Ltd.

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Overview

Oli Hazzard's Blotter consists of five sequences, each constructed using a different process. In "Graig Syfyrddin" notes on hillwalking in the Welsh marches – the poet's former home – alternate with found text taken from an online walking forum. "Blotter" is a shepherd's calendar of sonnets composed of Russian spambot script – a mix of lifestyle advice, gaming tips, authoritarian propaganda, bucolic fragments and apocalyptic messages. "Within Habit" is a series of prose poems collaged from numerous sources. "March and May" comprises parallel columns of verse. "Or As" is a family of 81 seventeen-syllable poems, each one an erasure of the corresponding page in a different book the poet was writing alongside Blotter. The poems are preoccupied, above all, with the passage of time, and how that passage can be differently registered or disturbed: the working day, the distorted seasons, the timestamp of a text message, the jottings of a daybook, the formal structure of a shepherd's calendar, the double exposure of a photograph, the reverse-flow of a Twitter feed. The title, Blotter, connects these concerns, suggesting at once a police blotter, a journal, a thing for drying wet spots, and, in its painterly connotation, a way of rendering the world in a manner that is vague, blurred, or out of focus.

Reviews

"A beautiful, bracing book of surprising, absorbing itineraries, Blotter takes brilliant soundings of linguistic pools and discursive surrounds. These astonishing, seductive sequences explore 'how time is layered / into the paint'. Hazzard is a formidably inventive poet; he is also a generous, playful, inviting one. He abolishes the distance between the conceptual and the lyrical, updating Wordsworth's 'selection of the real language of men' for our GPS moment. His sequences bespeak their compositional procedures but also something irreducibly else: the poet in and of the hinge, the gap, the step, the scroll, the click, the synapse — a shaping and shaped tender intelligence. Like the most ambitious works of any era, Hazzard's poems create their own occasions and terms. They invite us to enter new fields, to go skying toward new horizons, to sense a lover's touch, to hear both 'a lullaby' and 'the shocking truth'." —Maureen N. McLane

"One of the most exciting developments in British poetry in years." —The Boston Review

"Hazzard's gift lies in making the unusual seem aphoristic, turning words on their heads to shock an unsuspecting reader.' —The Economist

"Oli Hazzard brilliantly conveys the experience of experiencing; although his observations are hyper-real, he seems always to be questioning – and to be making us question – whether they are sufficiently 'like' . . . His work perfectly exemplifies Touchstone's saying that the truest poetry is the most feigning." —Jane Griffiths

"Both funny and touching. It is his flair for phrases that catch one's breath that has stood Oli Hazzard in good stead." —The Literateur

"Reminiscent of early, difficult Auden . . . [Hazzard] belies the notion that today's young poets are working in a cutesy, self-contained bubble." —Dai George, Poetry Wales

Author Biography

Oli Hazzard was born in Bristol in 1986, and studied English at University College London and the University of Bristol. He has researched John Ashbery's poetry at the University of Oxford. Oli Hazzard's poetry has appeared in magazines and anthologies including The Forward Book of Poetry 2010, Best British Poetry 2011, The Salt Book of Younger Poets and New Poetries V (Carcanet, 2011). He now teaches at the University of St Andrews and lives in Edinburgh.