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A City Made of Words
A City Made of Words

A City Made of Words

Outspoken Authors

FICTION

128 Pages, 5 x 7.5

Formats: Trade Paper, Mobipocket, PDF, EPUB

Trade Paper, $14.00 (US $14.00) (CA $19.00)

Publication Date: June 2019

ISBN 9781629636429

Rights: WOR X UK

PM Press (Jun 2019)

eBook

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Overview

Academics turn assassin and worse in these alternately horrific and humorous tales, all set in a world made eerily unfamiliar by a master of fantasy and metafictional mystery

Paul Park is one of modern fiction's major innovators. With exotic settings and characters truly alien and disturbingly normal, his novels and stories explore the shifting interface between traditional narrative and luminous dream, all in the service of a deeper humanism. "Climate Change," original to this volume, is an intimate and erotic take on a global environmental crisis. "A Resistance to Theory" chronicles the passionate (and bloody) competition between the armed adherents of postmodern literary schools. "A Conversation with the Author" gives readers a harrowing look behind the curtains of an MFA program. In "A Brief History of SF" a fan encounters the ruined man who first glimpsed the ruined cities of Mars. "Creative Nonfiction" showcases a professor's eager collaboration with a student intent on wrecking his career. The only nonfiction piece, "A Homily for Good Friday," was delivered to a stunned congregation at a New England church. Plus: A bibliography, and our candid and colorful Outspoken Interview with one of today's most accomplished and least conventional authors, in which personal truth is evaded, engaged, and altered, all in one shot.

Reviews

"Paul Park is a brilliant, stunning, frightening writer, a major talent." — Gene Wolfe

"Paul Park is one of the most gifted and subtle story writers I know." — Jonathan Lethem

"Entering a Paul Park universe means slipping into an eerily compelling plane where nearly palpable visions transform as disturbing as the images in a sexually charged fever dream." — Publishers Weekly

"Complex, elusive, haunting, written in a transparent prose that slips you from one world to another with prestidigital ease." — Ursula K. Le Guin

"Paul Park's short stories are blunt, funny, distressing, strange, true—all these qualities, often all at once." — Kim Stanley Robinson

"Park's writing is sharp, darkly comedic, and laced with pathos. He captures the fragility of the human condition (and the human ego) while offering a sympathetic rendering of human struggles to find answers in a complex world. Seasoned speculative fiction fans will enjoy Park's innovative detour into the unknown and uncanny." — Publishers Weekly

"Paul Park's A City Made of Words is the latest volume in PM Press's Outspoken Authors line of short science fiction collections. We're now twenty-three volumes into the series, each of which combines an interview with the author, a bibliography of varying completeness, and some combination of new and reprinted writing—and until I read this new book, I thought I knew how they worked. There were, on the one hand, the collections that might serve as introductions, books like Elizabeth Hand's Fire or John Crowley's Totalitopia, concise proofs of the author's value. On the other hand I counted such books as Samuel Delany's The Atheist in the Attic and Michael Moorcock's Modem Times 2.0 as essential reading for the committed that would challenge, mystify, or scare off neophytes. With A City Made of Words, Park eludes my categories. I can't decide whether this book is a perfect entry to the author's work, or written for committed Park readers only. I suspect that the author intends this. Let me explain. Just about five years ago, Tor published Paul Park's All Those Vanished Engines, his first novel under his own name since the conclusion of his four-volume fantasy A Princess of Roumania six years before. All Those Vanished Engines didn't bear much comparison to the previous few books — though the writing of those books figures into it — but longtime readers shouldn't have been surprised to see Park take a new direction. The Roumanian books bore little comparison to Park's prior two novels, historical fantasies about Christ and the women in his ministry, and those titles themselves were departures from the baroque, slightly Wolfean science fiction of his first few publications. All Those Vanished Engines comprised three novellas, each set in a different alternate history, and each providing dubious accounts of Park, his circumstances, or his family's history. The futility of pinning down Paul Park's writing had become a central theme of Paul Park's writing. Cities made of words have roughly the same foundations as castles built on air: Stories, and science fiction stories more than most, rely on suspension of disbelief. In proper postmodern fashion, and contrary to most science fiction practice, Park delights in undermining his cities of words, in plunging his castles to the ground. The collection begins with a tall tale called 'A Short History of Science Fiction, or The Microscopic Eye.' Though the surface plot is strange and a little sad, I couldn't conduct an innocent reading. That title sent me searching for an allegory, and I found it. 'Creative Nonfiction' begins conventionally enough, but turns into what might best be described as a metafiction that writes itself, while 'A Conversation with the Author' is a bleak fable about the nature of writing. The longest story in the collection, 'Climate Change,' begins in a roughly naturalistic mode, drawing parallels between an aging man's vanishing memories and our planet's ravaged biosphere, before turning gnomic and surreal. Even the standard Outspoken Author interview with series editor Terry Bisson isn't safe from deconstruction, as we see when Park (or, as he suggests, his stand-in) answers a question about metafiction:'Usually there is a metafictional break in the story, as, for example, here, where the reader understands they're being toyed with. In theory, the whole tone of the interview might change, as every subsequent answer is now suspect.' Buy it Now If this review makes A City sound ponderous and solemn, I've done it a disservice. It's a rare metafiction that isn't playful, and even comparatively bleak stories contain snatches of levity. The academic-turned-interrogator in 'A Conversation with the Author' has comically bitter memories of the indignities of twenty-first century academia ('my MFA and four years of subsequent adjunct work, sleeping in my car, selling blood, and eating at food banks'), and the professor-turned-patsy of 'Creative Nonfiction' has a comic relish

Author Biography

A native of New England with Southern roots, Paul Park climaxed his "wanderjahr" in Asia and the Middle East with his Sugar Rain Trilogy, which established him immediately as a writer to watch. His fascinated readers have since followed him into Christian theology, the anatomy of colonialism, and the limits and possibilities of metafictonal narrative. He has made a decades-long career teaching writing at major universities. He lives in western Massachusetts and currently teaches at Williams College.