Overview
Revolutionary art from around the world
Continuing in the style of the first two volumes, this new installment in the Signal series features standout artwork and stories that includes the topics of Paredon Records, Quebec Spring, and partisan memorials in former Yugoslavia, among others. The series is dedicated to documenting the compelling graphics, art projects, and cultural movements of international resistance and liberation struggles. Readers will be inspired by not only fine and graphic arts but also political posters, comics, magazines, documentation of performances, and articles on the often overlooked but essential role these works have played in struggles around the world. Art and politics come together in this unique blend of media from across the globe.Reviews
“Visually delectable and politically pointed.” —Political Media Review
“If you are interested in the use of graphic art and communication in political struggles, don’t miss the latest issue of Signal.” —Rick Poynor, Observatory
“As a series, this is a great resource. Dunn and MacPhee are filling a void in terms of political graphics.” —Printeresting.org
“Signal couldn’t have arrived at a better time to reassure those of us using visual culture to enter a political discourse.” —Last Hours
"Once again I am truly impressed by Signal. Its historical importance stretches across many areas including art, design, architecture, music, politics, protest and social history." —Nigel Ball, dubdog.co.ukAuthor Biography
Alec Dunn is an illustrator and a printer who has designed book and record covers, political graphics, and punk fliers. He lives in Pittsburgh, Pennsylvania. Josh MacPhee is an artist, a curator, an activist, the coeditor of Realizing the Impossible and Reproduce and Revolt, and the author of Paper Politics. He lives in Brooklyn, New York.